Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Brainhall Art Production presents 12 &12 by Jeroen Visser – 24 Hour Field recordings from Addis Ababa, Ethiopia

 

Word to Jeroen Visser

The first time I visited Addis Ababa in 2006, I noticed that this big city really sounded very different from any other metropole I had been to so far. Be it for the absence of trains or trams, or the presence of mosques and churches with loudspeakers, it gave me the inspiration to move to a next step using only “real” sound to display a movement in everyday life.

These moments could describe a specific place, an acoustically interesting moment, or an action. My experimentation until now has varied from a sound-walk through the Metal department on Mercato, over a recording in the middle of the Kazanchis Area on Saturday night overhearing the different Azmari bets, to a one hour recording at a minibus-station at prime time in front of a juice house.

Great care has been taken to leave the impression of the moment intact, so there is very little close-miking, and hardly any editing in the recordings. All recordings are made at a specific hour, and exactly that hour will be in the 24 hour radio transmission.

Please check

the Schedule (link)

for broadcast hours/days

 (link)